推見以新老廢木為材料,以手工造,小制作,低科技為手段的藝木品

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感謝優(yōu)秀公眾號“知了”分享美術(shù)史

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John Brack（約翰·布拉克，1920年5月10日- 1999年2月11日）出生在East Hawthorn, Victoria，是一位澳大利亞畫家和Antipodeans小組成員。他的畫大多在墨爾本的Victoria Arts Gallery里面收藏。據(jù)一位評論家說，布拉克早期作品“比之前或之后任何一位澳大利亞畫家更有力，更簡潔?！?/span>

布拉克的藝術(shù)創(chuàng)作于20世紀(jì)50年代取得突出成就，他也加入了抗議反對抽象表現(xiàn)主義的Antipodeans小組。

Self-portrait, 1955, oil on canvas, 81.5 x 48.3 cm.

Young and old,1940's ,conté crayon,25.5x 20.2cm.

The Yarra at Studley Park,1947 ,oil on canvas,72.2 x 91.2 cm.

Untitled,1948, 28.0x 31.4cm.

Seated nude, c.1948,36.6 x 31.0 cm.

Untitled ,1948, ink,paper drawing in pen and black ink,23.2 x 35.2 cm.

Not titled,1950's ,graphite,paper drawing in black pencil,22.0 x 35.0 cm.

THREE WOMEN, 1952,oil on canvas,30.5 x 68.5 cm.

Study for 'Men's wear' ,1953, colour pencil,27x 38.2cm.

Men's wear, 1953, oil on canvas, 81.0 x 114.0 cm.

Man in pub 1953 ,oil on canvas ,28.0 x 50.8 cm.

The new house,1953,oil on canvas on hardboard,142.5 x 71.2 cm.

Mannequins [Two figures] ,1953, paper drawing in conté crayon ,52.0 x 65.4 cm.

Head of a woman,1954,drypoint,12.0 x 19.7 cm,13/50.

New houses,1954 ,graphite, 31x 48.2cm.

Head and arms (Barbara Blackman),1954,black conté on ivory wove paper,38.0 x 49.6 cm.

WOMAN AND DUMMY, 1954,oil on canvas,51.0 x 66.0 cm.

The telephone box,1954,oil on canvas,80.3 x 47.1 cm.

Third daughter,1954, ink,17.5 x 12.3 cm,ed.11.

The unmade road ,1954, oil on canvas ,73.6 x 50.7 cm.

The bar,1954.

一個(gè)關(guān)于的酒吧的繪畫（1954年），是仿照馬奈的A Bar at the Folies-Bergère，和satirised the six o'clock swill，在澳大利亞的酒吧早晨收盤出現(xiàn)的一種社會(huì)儀式。

The block,1954.

Eating chips ,1955,graphite,paper drawing in black pencil sheet .36.2 x 39.3 cm.

The fish shop,1955。

布拉克的早期傳統(tǒng)風(fēng)格演變成簡單的形狀和單調(diào)色彩，往往具有大面積的褐色。

Collins St, 5p.m., 1955, oil on canvas, 114.8 x 162.8 cm.

柯林斯街，下午5時(shí)（1955年），高峰時(shí)間在戰(zhàn)后墨爾本的景色。呈現(xiàn)在棕色和灰色的暗淡色彩中，這是對日常生活的整合評論。

大多數(shù)這些早期油畫和素描都是直接諷刺評論澳洲夢，通常關(guān)注在新擴(kuò)大的戰(zhàn)后郊區(qū)或住在那里的人的生活主題。

Two Typists, 1955.

Spectators ,1956, etching ,17.0 x 27.0 cm,edition: 6/12.

JOCKEY AND TRAINER, 1956,etching,16.5 x 22.5 cm.

Strapper and horse ,c.1956, ink,17.6 x 27.5 cm,edition of 17.

Footballers, 1956,conté on paper,46.0 x 64.5 cm.

The conference,1956.

Jockeys returning. [Two jockeys] ,1956, ink,17.2 x 26.4 cm,edition of 25.

Untitled,1956, ink, 7.6 x 12.6 cm.

THE BOOKMAKER, 1956,watercolour, pen and ink on paper,42.0 x 29.0 cm.

PEARS, 1957,oil on canvas,31.0 x 52.5 cm.

Nude in an armchair ,1957 ,oil on canvas ,127.6 x 107.4 cm.

The bathroom,1957, oil on canvas,129.4 x 81.2 cm.

Nude with two chairs,1957,oil on canvas,81.3 x 61.0 cm.

Nude on a mattress,1957/ 70, oil on canvas, 68.8 x 114.4 cm.

The bird lady, 1958, oil on composition board.

The breakfast table,1958,oil on canvas,122.2 x 68.7 x 2.2 cm.

The chase,1959.

Study for 'La vie en rose’,1960, painting in watercolour overdrawn in pen and black ink sheet ,39.8 x 53.5cm.

Dancers with lights,1960,drawing in brush and gouache sheet, 48.8 ,x 67.8cm.

Eating cake,1960 ,drawing in watercolour and gouache , 37.8 x 35.2 cm.

Study for the painting 'Championship ballroom dancers' ,1960, gouache,76.2x 57.6cm.

THE BRIDE, 1960, oil on composition board,71.0 x 47.0 cm.

Duet, 1961,oil on canvas on board,91.5 x 112.0 cm.

Study for 'To the water' ,1961 ,graphite,paper drawing in black pencil , 21.0x 22.4 cm.

Study for 'To the water' 1961,23.6x 31.8cm.

Study for 'To the water' ,1961 ,graphite,paper,watercolour drawing in black pencil with watercolour , 34.0x 31.2 cm.

The Roofs of Burwood, 1962,oil on composition board,103 x 126cm.

Study for the painting 'Reflections in the window’,1964, 64.8x 46.0 cm.

Sketch for the painting 'The happy boy' ,1964, charcoal,49.7x 63.4 cm.

STUDY FOR ‘THE MERTZ NUDE’, 1965,conté on paper,48.5 x 65.0 cm.

The Rosette, 1965,oil on canvas,81.5 x 53.5 cm.

Mirrors and scissors,1966,etching, black ink on ivory wove paper,33.0 x 45.0 cm,18/50.

The happy boy,1966, ink,44.8x 32.6cm, edition of 7.

The sun lamps,1966, ink,paper etching, printed in black ink,32.9x 39.2 cm.

Adagio,1967, ink,38x 24 cm ,edition of 200 .

Sketch for ‘Latin American grand final’,1969,pencil, black conté on ivory wove paper,48.4x 60cm.

Sketch for 'Latin American grand final',1969,pencil, black conté on ivory wove paper,48.4x 60cm.

Latin American Grand Final, 1969, oil on canvas, 167.5x 205cm.

Barry Humphries in the character of Mrs Everage,1969,oil on canvas.94.5x 128.2cm.

在20世紀(jì)70年代布拉克創(chuàng)作了一長串的高度程式化的鉛筆繪圖案作品，這些旨在諷喻當(dāng)代的生活。他經(jīng)常數(shù)年都創(chuàng)作特別的主題系列作品。

Study for 'Back to back’,1971,pencil, black conté on white wove paper,45.5 x 65cm.

Three Balancing Boys, 1971,conté on paper,48.5 x 64.5 cm.

Nude on bed,1972,lithograph, printed in black ink on white Arches paper.

Seated nude on bed ,1972,paper drawing in conté crayon,71x 50.5cm.

One balancing girl,1973,pencil, black conté on white wove paper,64.6 x 48.2 cm.

Study for 'Finale' ,1973, 61x 48.4 cm.

In the corner,1973,oil on canvas,129.5 x 96.5 cm.

Study for 'On the rings’,1975 ,conté crayon,66x 50cm.

Nude on a Small Chair, 1975,pastel on paper,66.5 x 86.5 cm.

Girl and mat,1976, ink,paper lithograph, printed in colour inks,30.9 x 50.4 cm ,edition of 25.

Cards on the table ,1976, conté crayon.70x 42.8cm.

Pens,1977,pencil, pen and black and brown ink, 76x 55.8cm.

Arabesque,1977 ,ink,printed in black ink, 49.3x 66.7cm,edition of 25.

Hand balance,1977, ink,67.8 x 47.5 cm, edition of 25.

The vaulting horse,1977, ink,68x 49cm,edition of 25.

Model with shag rug,1977, ink,49x 67.8cm,edition of 25.

Study for the painting 'Tower’,1977, drawing in pen and ink, 76.2x 56.2cm.

Model with Islamic carpet,1977 ,ink,paper lithograph,48x 68.5 cm,edition of 25.

Two Girls on the Lines, 1977,watercolour, pen and ink on paper,64.5 x 45cm.

Promenade, 1978,oil on canvas,130 x 97cm.

Nude in profile,1978, ink, edition of 300.

Out,1979, oil on canvas, 153x 122 cm.

Study for the painting 'Nude with pink gown' ,1979,73x 51.6cm.

Portrait of Fred Williams,1979-80,oil on canvas,142 x 163cm.

Reclining nude,1981,lithograph, 49.2 x 68 cm,7/100.

Reclining nude,1981,conté crayon, 57.4x 73 cm.

La Traviata. April, 1981,ink,paper lithograph, 66 x 49.2cm,edition of 150.

The battle, 1981–83, oil on canvas, 203 x 274cm.

John Brack nudes: fifteen original lithographs [sheet 4A], December, 1982 ,ink,paper lithograph,43x 30.1cm,edition of 200.

John Brack nudes: fifteen original lithographs [sheet 5B] ,December, 1982, ink,,paper lithograph,43x 30.1cm,edition of 200.

John Brack nudes: fifteen original lithographs [sheet 9A] December ,1982 ,ink,paper lithograph,43x 30.1cm,edition of 200.

John Brack nudes: fifteen original lithographs [sheet 6B] December,1982,ink,paper lithograph,43x 30.1cm,edition of 200.

John Brack nudes: fifteen original lithographs [sheet 8A] ,December ,1982 ,ink,43x 63.2cm,edition of 200.

Double Nude II, 1982,lithograph,45 x 65.5 cm,edition: 37/50.

You,1984, drawing in pen and ink with watercolour sheet, 69x 78cm .

The pros and cons,1985 ,oil on canvas ,152.5 x 182.5 cm.

Nude with revolving chair,1985,pencil, pastel, watercolour, crayon,88.5 x 58.2 cm.

MULTITUDE, 1985,watercolour, pen and ink on paper,87 x 74 cm.

1066 (Bayeux Tapestry),1988, oil on canvas,121.5 x 152cm.

THE PERFORMANCE, 1989,watercolour, pen and ink on paper,69x 99cm.

Evening dance,1989-90 ,oil on canvas ,106x 152cm.

NEVER, 1989-90,oil on canvas,106.0 x 182.5 cm.

The Tumblers, 1990,watercolour, pen and ink on paper,68.5 x 91.5 cm.

Six Cards With Two Figures, 1990,ink and watercolour on paper,93.5 x 68 cm.

On Stage, 1991,watercolour, pen and ink on paper,90 x 70cm.

SIX COUPLES DANCING, 1992,watercolour, pen and ink on paper,65 x 91 cm.

在布拉克整個(gè)職業(yè)生涯中，他創(chuàng)作了許多的肖像畫，其中包括自畫像，家人，朋友和雇傭的模特，而他的裸體畫創(chuàng)作貫穿了他的整個(gè)職業(yè)生涯。

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