來自專筑編輯羅曉茜，劉慶新的報道。該項目是對一座獨棟房屋的翻新。在翻新過程中要保持其L型的平面結構，且新建建筑要包裹著老房子。除了這些外部約束，三個主要構成元素形成了項目概念性的想法：環(huán)境(地理/歷史)，建筑外立面的特定處理手法，空間的連續(xù)性。將這三方面相結合創(chuàng)建一座獨特的住宅——體現出當代氣息且在其所處環(huán)境中不顯得突兀。
From the architect. This single-family home is a new construction, which had to adhere to the L-shaped plan and overall building envelope of an older house. In addition to these external constraints, three major components drove the conceptual ideas for the project: The context (geographical/his?torical), the specific treatment of the building envelope, and spatial-programmatic continuity. In combination, these three aspects aimed to create a unique house with a bold contemporary expression without appearing too alien to its environment.
Courtesy of su11
Floor Plan/平面圖
我們最初的靈感來自于谷倉，這在康涅狄格州是一種受歡迎的建筑類型。我們對這種建筑的兩個特點十分感興趣。首先，我們想使項目融合在其歷史和地理背景當中。第二，我們對這些引人注目的抽象品質所吸引。該建筑在體量、孔徑和整體幾何形狀上的處理手法都激發(fā)我們有了遠離傳統(tǒng)住宅的想法。
We took our initial inspiration from the barn, a popular building type in Connecticut. We were mainly interested in two of the characteristics of this type. First, we wanted to anchor the project within a historical and geographical context. Second, we were intrigued by the abstract quali?ties of these compelling objects. Their specific treatment of volume, apertures, and overall geometry interested us as tools to estrange conventional ideas of residential housing.
Courtesy of su11
我們通過在其功能和空間元素中運用雕刻方式來改變原始的L形體量。例如，二樓地板部分向外傾斜，深化了外觀立面，也因此獲得臥室更好的陰影/熱性能。它還削減了屋頂懸垂部分，因此強調設計的體塊特征，同時還保護外邊界。其它雕刻反映出空間?和內部的循環(huán)條件，創(chuàng)建出扭曲的外表面，這也和我們的視角和景深理念相符合。
We began by altering the original L-shaped volume through carving maneuvers in response to functional and programmatic elements. For instance, the partial outward leaning of the second floor results in a deepening of the fa?ade and therefore a better shading/thermal performance for the bedrooms. It also allows for cutting back roof overhangs, thus accentuating the volumetric char?acter of the design, while still protecting the outside perimeter. Other carvings reflect program?matic and circulatory conditions of the interior and create deliberate distortions of the envelope, which play with our concepts of perspective and depth-of-field.
Section/剖面圖
Courtesy of su11
Courtesy of su11
在室內，有角度的外立面處形成了厚厚的墻壁，這種設計創(chuàng)造了空間連續(xù)性?？蛻粝Ｍ诓粻奚δ苄院涂捎眯缘那疤嵯?，形成一個有著最大化視野和良好的光照的開放的空間。L形結構的幾何軸心點變成了寬敞的兩層高的樓梯井/入口區(qū)域，在這里沒有嚴格的劃分，可以自由進行烹飪、吃飯、玩耍、放松、娛樂。
On the interior the angular play of the fa?ade generates thick walls for pro?grammatic use and spatial continuity. The client’s wish for openness, maximization of views and light is met without sacrificing functionality or usability. The geometrical pivot point of the L-shape becomes the spacious double-height stairwell/entrance area around which activi?ties such as cooking, dining, playing, relaxing, entertaining, etc. organize freely and without strict demarcations.
Courtesy of su11
Courtesy of su11
Courtesy of su11
Courtesy of su11
Floor Plan/地下室平面圖
Floor Plan/二層平面圖
Section/剖面圖
Section/剖面圖
建筑設計：su11 architecture+design
位置：美國 康涅狄格州
主設計師：Erich Schoenenberger + Ferda Kolatan
項目時間：2013年
攝影：Courtesy of su11
建造公司：Prutting & Company
項目經理：Hart Marlow
委托人：Dreiss / Ropp
Architects: su11 architecture+design
Location: Darien, CT, USA
Architect In Charge: Erich Schoenenberger + Ferda Kolatan
Project Year: 2013
Photographs: Courtesy of su11
Construction Firm: Prutting & Company
Project Manager: Hart Marlow
Client : Dreiss/Ropp |
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