The Giudecca Canal with the Zattere,1759
與卡納萊托（canaletto）同時馳名于威尼斯畫壇上的場景畫家是弗朗西斯科·瓜爾迪（francesco guardi）。這兩位畫家雖然同樣傾心于場景畫的創(chuàng)作并取得了一定成就，但二者之間卻存在著比較明顯的區(qū)別。
The Parlour of the San Zaccaria Convent,1745-1750
卡納萊托的作品往往注重于城市建筑或街道的比例、透視的正確性，而弗朗西斯科·瓜爾迪的作品卻充滿著豐富的感情色彩，他喜歡憑借自己的感受去作畫，至于建筑物的透視或比例的正確與否對于他來講是無關緊要的。
Masked Meeting,1755
同時，弗朗西斯科·瓜爾迪不但作都市的場景畫，而且對威尼斯當時的各類事件和宗教儀式、宴會等其他室內(nèi)活動也頗感興趣并收入畫中，題材相對卡納萊托要廣泛得多。
The Lagoon with Boats, Gondolas, and Rafts,1758
弗朗西斯科·瓜爾迪的場景畫創(chuàng)作充滿激情而不拘泥于現(xiàn)實的摹寫，他常常根據(jù)自己的需要而把一些威尼斯著名的建筑物收進畫中。弗朗西斯科·瓜爾迪不滿足于人們所見的色彩或自然產(chǎn)生的光線，而根據(jù)畫面情況作出獨自的處理。弗朗西斯科·瓜爾迪是表現(xiàn)了一種藝術(shù)的真實，從這點來看，他與卡納萊托的場景畫趣味迥然。
Town with a Bridge,1750
Nighttime Procession in Piazza San Marco,1758
The Piazzetta, Looking toward San Giorgio Maggiore,1758
The Lagoon from the Fondamenta Nuove,1759
Capriccio with Venetian Motifs,1760
Piazza San Marco,1760
San Cristoforo, San Michele and Murano, Seen from the Fondamenta Nuove,1755-1760
The Molo and the Riva degli Schiavoni from the Bacino di San Marco,1760
The Molo and the Riva degli Schiavoni from the Bacino di San Marco,1760
Campo Santi Giovanni e Paolo,1762-1763
The Rialto Bridge with the Palazzo dei Camerlenghi,1763
The Grand Canal at the Fish Market (Pescheria),1765
The Grand Canal, Looking toward the Rialto Bridge,1765
The Piazza San Marco towards the Basilica,1760-1765
Audience Granted by the Doge,1766-1770
Carnival Thursday on the Piazzetta,1766-1770
Departure of the Bucentaur Towards the Venice Lido on Ascension Day,1766-1770
Piazza San Marco, Venice,1770
The Coronation of the Doge,1766-1770
The Doge at the Basilica of La Salute,1766-1770
The Doge on the Bucentaur at San Niccol del Lido,1766-1770
The Doge on the Bucintoro near the Riva di Sant'Elena,1766-1770
The Gondola on the Lagoon,1765-1770
The Lagoon Looking toward Murano from the Fondamenta Nuove,1765-1770
The Three Arched Bridge at Cannaregio,1765-1770
The Torre del Orologio,1765-1770
The Torre del Orologio,1765-1770
View of Piazzetta San Marco towards the San Giorgio Maggiore,1770
The Basin of Saint Mark's Square, with San Giorgio and the Giudecca, c.1774 (oil on canvas),1770-1774
Landscape with a Fisherman's,1770-1775
The Feast of the Ascension,1775
Venice: San Giorgio Maggiore,1775
Venice: The Dogana with the Giudecca,1775
View of the Island of San Giorgio Maggiore,1765-1775
An Architectural Caprice,1777
Doge Alvise IV Mocenigo Appears to the People in St. Mark's Basilica,1775-1777
Piazza San Marco,1777
City View,1775-1780
Landscape,1780
San Giorgio Maggiore,1775-1780
The Grand Canal with San Simeone Piccolo and Santa Lucia,1780
The Grand Canal with Santa Lucia and the Scalzi,1780
The Molo from the Bacino,1775-1780
Venetian Capriccio,1775-1780
Venice, Il Rio dei Mendicanti,1780
View of the Molo towards the Santa Maria della Salute,1775-1780
Ladies Concert at the Philharmonic Hall,1782
Pope Pius VI Blessing the People on Campo Santi Giovanni e Paolo,1782
The Punta di Dogana,1782
View of the Campo San Zanipolo in Venice,1782
Hot Air Balloon Rising,1784
Outward Voyage of the Bucintoro to San Nicol del Lido,1785-1788
Fire in the Oil Depot at San Marcuola,1789
The Fire at San Marcuola,1789
Bridge at Dolo
Church of Santa-Maria Zobenigo
San Giorgio Maggiore
Venice, a View of the Piazzetta Looking South with the Palazzo Ducale
Venice: A View of the Church of San Giorgio Maggiore Seen from the Giudecca
Venice: A View of the Entrance to the Grand Canal
View of the Island of San Giorgio in Alga, Venice
View of the Island of San Michele near Murano, Venice
Deer hunting
編輯：油畫世界（ID：ArtYouhua）
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