一座城池，始稱建康。一幕設(shè)宴主仆人與赴會眾賓朋五感交互的空間劇場。

一段歲月，遙想南朝。一曲室內(nèi)設(shè)計師和電影制片人四手聯(lián)彈的玉臺新詠。

In a city known as Jiankang, there is a space theater holding a banquet for the host to interact with guests and friends.

A new work created by the interior design and filmmakers to memorize the Southern Dynasty in ancient China.

▼燕幾就坐方式的雅集空間，an elegant space sitting in a traditional way

本案落子西家大塘，此餐飲空間恰于南朝宮城舊址之上，北靠玄武湖，南望北閣極，西依古臺城，東靠雞鳴寺（前身為南朝同泰寺）名曰：肆佰捌食肆。諧音頂針引杜牧《江南春》之句：“南朝四百八十寺，多少樓臺煙雨中?！?/p>

This case is located at Xi Jia Da Tang, and the dining site happens to be located at the site of ancient imperial palace of the Southern Industry, bordering Xuanwu Lake on the north, facing the North Pavilion in the south, adjacent to Gutai City in the west and Jiming Temple (formerly known as Tongtai Temple in the Southern Dynasty) in the east. Thus, it is known as S480 Dining Villa (which means: four hundred and eighty temples), as citied from Du Mu’s poem “Spring South of the Yangtze River”: How many of the more than four hundred and eighty temples left behind in the Southern Dynasty in the misty rain?

▼一層大廳，the hall at first floor

英文名稱 S480 Dining Villa，鑒于南朝橫亙公元420—589年。S 系英文縮寫之雙關(guān)，即可解為south，隱含南朝之南。亦可解為since480 ，始于南朝之時。

Its English name is S480 Dining Villa because the Southern Dynasty is from 420 BC to 589 BC. S, which is the pun of the English abbreviation, means south and also southern in the Southern Dynasty. And it can also be interpreted as since 480, i.e., since the Southern Dynasty.

▼大廳等候休息區(qū)，waiting area at the hall

文人空間，內(nèi)不可少地結(jié)合著“儒、釋、道”三家的精神指向。對山水形色與世俗生活的追求。 永嘉南渡，江左名士對自然的樂天與他們的心境的達官合而為一，山水以形媚道而令仁者樂，士人多以描寫山水景物來抒發(fā)玄理，就集中體現(xiàn)了他們以佛教的觀點對現(xiàn)實的聲色生活作出的反省與思考。

The literati space inevitably reflects the spiritual orientation of “Confucianism, Buddhism and Taoism” as well as the pursuit for beautiful scenery and a secular life. After a lot of northern people moved to the south during the Yongjia period, a lot of them became literatus and their inborn positive mind was combined with the beautiful scenery south of the Yangtze River. Most of them describe the landscape to express their thoughts about life, which reflected their reflection on the real life from the perspective of Buddhism.

▼一側(cè)入口及在空間之中穿梭，entrance on one side and walking through the space

公共空間

Public Space

南朝之美，深藏不露，是斑駁背后的單純，也是青澀伴隨的新鮮。發(fā)現(xiàn)南朝之美，實則是在追問一座城是怎樣塑造一個人，也是在探究一個人是如何改變一座城。

The beauty of the Southern Dynasty is delicate, hidden in the pureness behind the mottled and the freshness of youth. Discovering the beauty of the Southern Dynasties is actually seeking how a city shapes a person and exploring how a person changes a city.

▼一層平面圖，first floor plan

▼壁爐空間一角，space near the fireplace

▼樓梯區(qū)域，stairs

空間公區(qū)，設(shè)計師以文心所至，古今藝術(shù)與生活的相互滲透，設(shè)計圍繞文人雅集的故事展開，穿越當時生活之美的記憶回廊，歷史的生活方式重現(xiàn)于共享空間之中；一邊對話，一邊重新書寫當代精神記憶的新故事。

The public space combined both the ancient and contemporary art and life, reflecting the designer’s literary accomplishment. The design revolves around the story of the literati’s collection, showing the beauty of life at that time; and while reflecting the ancient memory, the design is also rewriting a new story of contemporary spiritual life.

▼二層平面圖，second floor plan

▼二層走廊，second floor corridor

▼三層榻榻米區(qū)域，tatami area on the third floor

包間區(qū)域

Inclusive Space

南齊永明年間，以蕭衍，沈約、謝朓、王融、蕭琛、范云、任昉、陸倕為首，文士云集于竟陵王蕭子良左右。史稱竟陵八友。包間則借八友雅號，舍姓取名，單字從簡，輔以背光，鑿木隱現(xiàn)。自上簡素襲魏晉，而下豐艷入隨唐。南朝印象主色調(diào)則須在簡素與豐艷間，斟酌揣摩，度量拿捏。黑色暗紋啞光木飾面襯映取色自南梁張僧繇《雪山行旅圖》的抽象油畫，以纖秾平衡沖淡。

During the Yongming period of the Southern Qi Dynasty, literatus, led by Xiao Yan, Shen Yue, Xie Tiao, Wang Rong, Xiao Chen, Fan Yun, Ren Fang and Lu Chui gathered around the King Jingling Xiao Ziliang, and them were collectively called “Eight Jingling Literatus”. The gracious names of the eight literatus were used at the inclusive space, and only their given names were used. This the simply style in the Wei and Jin Dynasties and the gorgeous style in the Sui and Tang Dynasties are well combined at this room. The main tone of the Southern Dynasty is between the simply style and gorgeous style at a moderate level. The black dark matte wood veneer lining and the abstract oil painting came from the abstract painting “Travel to Snow Mountain” painted by Zhang Sengyao, a famous painting in the Southern Liang Dynasty, with a good balance.

▼包間“約”內(nèi)透光方式-包間借八友雅號，舍姓取名，單字從簡，light through the Yue Romm-the gracious names of the eight literatus were used at the inclusive space

▼二層包間內(nèi)采用黑色暗紋啞光木飾面，the black dark matte wood veneer lining is used in the private dinning rooms

肆佰捌食肆作為一個承載往昔輝煌歲月與未來無上榮光的舞臺，所有動人的情節(jié)正在有序上演，所有詩意的場景正被精致呈現(xiàn)。這場都會文明的流動盛宴，屬于建康，更屬于南京，屬于肆佰捌食肆，更屬于締造時代的人們。

S480 Dining Villa is a platform bearing the glorious past years and promising future days, displaying all moving plots orderly and displaying all the poetic and wonderful scenes. This mobile feast of urban civilization belongs to Jiankang and Nanjing. And it belongs to S480 Dining Villa and the people who have created the era.

▼三層平面圖，third floor plan

▼詩意的空間，poetic space

▼包間細節(jié)，detail of the private dinning room

項目名稱：肆佰捌食肆

設(shè)計公司：南京惠風集裝飾設(shè)計公司