Portrait of Ariosto,1508-1510
提香·韋切利奧出生在意大利威尼斯北部風(fēng)景秀麗的卡多萊，12歲時父親帶他游歷威尼斯，后來提香再次來到威尼斯便進了喬凡尼·貝利尼的工作室學(xué)畫，從此幾乎一生都沒有離開過威尼斯。
Allegory of Time Governed by Prudence,1565
提香在喬凡尼畫室與比他大十一歲的喬爾喬內(nèi)（Giogione 1477-1510）共同作畫，喬爾喬內(nèi)享樂主義的人生觀，開放的思想行為，熟練的繪畫技巧以及對色彩超乎常人的敏感和表現(xiàn)力，令 提香崇拜得五體投地。喬爾喬內(nèi)竟成了他心目中的上帝。提香崇拜喬爾喬內(nèi)，模仿他的繪畫風(fēng)格，以至人們幾乎辨別不出兩人作品的作者。
Penitent St. Mary Magdalene,1560-1565
喬爾喬內(nèi)精細的蔭涼風(fēng)景圖、豐富的色差和消散技術(shù)對提香產(chǎn)生了很大影響。 不久，他們開始獨立接受訂畫，喬爾喬內(nèi)接受來的訂件，大都交給提香去完成，后來喬爾喬內(nèi)越來越發(fā)現(xiàn)在色彩創(chuàng)造和藝術(shù)技巧方面，提香有超過自己的可能，這使他們之間的關(guān)系開始冷淡和緊張。
St Sebastian,1575
從此喬爾喬內(nèi)更加抑郁寡言，他把這種內(nèi)心的不安發(fā)泄到更加放肆的尋歡作樂中去，使他在 33歲風(fēng)華正茂時，耗盡了精力，在一次鼠疫傳染流行時辭別了喧鬧的人世。
Venus of Urbino,1538
喬爾喬內(nèi)的早逝，使提香開始了獨立的藝術(shù)發(fā)展。這種藝術(shù)風(fēng)格體現(xiàn)了威尼斯藝術(shù)的成熟。隨后提香發(fā)揮出一種不斷增長的憂傷， 1576年的威尼斯大瘟疫，人們在北部海岸提香的別墅中找到了他，和死亡捉迷藏的游戲結(jié)束了，他在86歲時終于向死神屈服了。
Emperor Charles,1548
The Fall of Man,1550
Danae,1553-1554
Ecce Homo,1558-1560
Philip II of Spain,1500
Mary with the Christ Child,1561
Pope Alexander IV Presenting Jacopo Pesaro to St Peter,1503
Christ Carrying the Cross,1506-1507
Orpheus and Eurydice,1508
Portrait of a Man,1508
Concert Champetre,1508-1509
Christ and the Adulteress,1508-1510
Mary with the Child and Saints,1510
Portrait of a Venetian nobleman,1510
Portrait of a Woman,1508-1510
Portrait of a painter with a palm tree,1561
Portrait of Lavinia, his daughter,1560-1561
Saint Mark Enthroned,1510
Death of Actaeon,1562
The Birth of Adonis,1505-1510
Rape of Europe,1559-1562
The Concert,1510
Self-portrait,1550-1562
The Holy Family with a Shepherd,1510
St Nicholas,1563
The Legend of Polydorus,1505-1510
Annunciation,1564
Madonna and Child with Sts Anthony of Padua and Roch,1511
Cavalier over a fallen adversary,1562-1564
The Gipsy Madonna,1510-1511
The Healing of the Wrathful Son,1511
Christ Carrying the Cross,1565
The Miracle of the Jealous Husband,1511
Liggie Venus,1540-1565
The Miracle of the Newborn Child,1511
Madonna and Child in an Evening Landscape,1562-1565
The Vicious Husband,1511
Man Holding a Flute,1560-1565
Risen Christ,1511
Saint Anthony,1511
St Dominic,1565
Do not touch me,1511-1512
Venus Blindfolding Cupid,1565
The Three Ages of Man,1511-1512
Christ and the Good Thief,1566
Portrait of Aretino,1512
Self-portrait,1567
Portrait of a Man Munich,1512-1513
Portrait of Jacopo Strada,1567-1568
Holy Family and Donor,1513-1514
The Tribute Money,1560-1568
Portrait of a Man,1514
Madonna and Child,1565-1570
Sacred and Profane Love,1514
Philip II Offering Don Fernando to Victory,1570
A Knight of Malta,1510-1515
Tarquin and Lucretia,1570
Flora,1515
Portrait of Don Fernando Alvarez of Toledo, Grand Duke of Alba,1570
Solome,1515
Christ Carrying the Cross,1570-1575
Madonna of the Cherries,1515
Crowning with Thorns,1570-1575
Portrait of a Bearded Man,1515
Mocking of Christ,1570-1575
Portrait of a Man,1515
Spain Succouring Religion,1575
Portrait of a Musician,1515
St Jerome,1570-1575
Portrait of a Young Woman,1515
St Jerome,1575
Profane Love,1514-1515
Suicide of Lucretia,1515
Doge Antonio Grimani Kneeling Before the Faith,1575-1576
Vanitas,1515
Pieta,1576
Young Man with Cap and Gloves,1512-1515
Shepherd and Nymph,1575-1576
Madonna and Child with Sts Catherine and Dominic and a Donor,1512-1516
Tarquin and Lucretia,1570-1576
Portrait of a Man in a Red Cap,1516
The Flaying of Marsyas,1576
The Tribute Money,1516
Youth with Dogs,1575-1576
Assumption of the Virgin,1516-1518
Apostles group
Gian Giacomo Bartolotti da Parma,1518
Coronation of the Virgin
Portrait of Jacopo Sannazaro,1514-1518
Cosimo de Medici, later Grand Duke of Tuscany
Saint Peter,1516-1518
Ecce Homo
The Worship of Venus,1516-1518
French Cardinal Georges d`Armagnac and his secretary G. Philandrier
