|
李景安七歲跟母親學(xué)習(xí)國畫，感覺進入了一個全新的世界，它的美與意境讓人深陷其中，自此繪畫便成了他生活的一部分。
國畫從題材上分為人物、山水、花鳥三類，李景安尤其喜愛山水。隨著年齡的增長，對中國傳統(tǒng)文化的不斷學(xué)習(xí)，發(fā)現(xiàn)要畫好山水畫不僅要掌握好傳統(tǒng)繪畫技巧，更要親近自然，從自然中獲取靈感，因為山水畫本身就是從大自然的名山大川演變而來，所以李景安游遍了各地的大山，進行了大量的寫生，親身感受自然山川的魅力。
國畫是形與意的完美結(jié)合，形與意密不可分，缺一不可。形聚意，意附于形。沒有形的意，就如沙子壘起來的雕塑，會散掉。同樣，沒有意的形，就像行尸走肉，沒有靈魂。
我們在畫山水畫的時候，不僅要注意形，更要傾注情感。米開朗基羅說過：一個人不能永生，但如果把自己的靈魂注入畫中，讓畫流芳，卻也是另一種永生！畫畫時把感情投入進去，才能讓畫有靈氣，也才能讓觀畫的人產(chǎn)生共鳴。 李景安更多作品欣賞： 春山凝翠最終 ···················································································································································· 大山晨風(fēng)最終 ···················································································································································· 大山秋韻 ··················································································································································· 古塬春色 ······················································································································································ 古塬秋意濃 ····················································································································································· 故園山水情 ·····················································································································································
荷花 ·······················································································································································
綠水青山 ······················································································································································
煙雨江南 ····················································································································································
云山溪泉 ······················································································································································
云霞映秋山 |
|
|
