|
Glenn Brown，Touch the Flaming Dove, 2021
格倫·布朗（Glenn Brown）1966年生于英國諾森伯蘭，1988年進(jìn)入巴斯高等教育學(xué)院學(xué)習(xí)。1990年至1992年在倫敦戈德史密斯學(xué)院學(xué)習(xí)，2000年獲特納獎(jiǎng)提名。英國當(dāng)代藝術(shù)家。對(duì)于布朗來說，停留在他繪畫實(shí)踐最核心處的是他與顏料之間愛情，是顏料本身與歷史的豐富關(guān)聯(lián)，顏料性感的質(zhì)地，以及布朗細(xì)致的處理。“我喜歡我的畫作行將就木，不完全地屬于這個(gè)世界。對(duì)于我來說它們存在于一個(gè)夢(mèng)想的世界中，一個(gè)我熟睡時(shí)凝聚和變異的潛意識(shí)中的圖像集合構(gòu)成的世界?！?/span>Image collection in subconsciousness“Appearance of Crosses”-The life meaning of the symbol
藝術(shù)家 · ARTIST / ?Glenn Brown發(fā)行推廣 · LSSUANCE OF PROMOTION / ?AnArtSpace
When We Return You Won't Recognise Us, 2020116.5 x 89.3 x 2.2 cm (45 7/8 x 35 1/8 x 7/8 in) panel120.5 x 93.2 x 4.7 cm (47 1/2 x 36 3/4 x 1 7/8 in) frameGlen brown is good at digging out useful things from art history and pop culture, and thus creates an artistic language that transcends time and painting conventions. His stylistic impulses stem from a desire to give new life to the end-points of history. For all his reference and misappropriation of something else, he presents a new and memorable contemporary interpretation of the image.The borrowed image and landscape were carefully reconstructed and extended by him, and gradually made these themes fascinating and lively. Brown in delicate composition, combined with the history of the different elements, like a Renaissance, impressionism, surrealism, and thus created a space in abstract and deep, rational and absurd, beautiful and bizarre, mixed in a dizzying mix.“ 格倫·布朗善于從藝術(shù)史和流行文化中挖掘出有用的東西，從而創(chuàng)造出一種超越時(shí)間和繪畫慣例的藝術(shù)語言。他的風(fēng)格來自于給歷史的終點(diǎn)賦予新生命的渴望。盡管他引用和挪用了其他的東西，但呈現(xiàn)了一個(gè)新的和令人難忘的圖像當(dāng)代的解釋。借用的意象和景觀經(jīng)過他的精心重建和延伸，逐漸使這些主題變得迷人而生動(dòng)。他在精致的構(gòu)圖中，結(jié)合了歷史的不同元素，像文藝復(fù)興、印象派、超現(xiàn)實(shí)主義，從而創(chuàng)造了一個(gè)空間，在抽象與深刻、理性與荒誕、美麗與怪誕，交織在一起，令人眼花繚亂。 ”
Oil and acrylic on panel ｜WORKSBring on the Headless Horses, 2020
200 x 141 x 2 cm (78 3/4 x 55 1/2 x 3/4 in)Lactate (Midwinter), 2020
Oil and acrylic on panel (rounded corners)200 x 141 x 2.2 cm (78 3/4 x 55 1/2 x 7/8 in)Black Ships Ate the Sky, 2020
216 x 144 x 2.2 cm (85 1/8 x 56 3/4 x 7/8 in)Cathedral Gin (after Castiglione), 2020132 x 95 x 2.1 cm (52 x 37 3/8 x 7/8 in)India ink, oil and acrylic on panel, in frame85.6 x 62.5 cm (33 3/4 x 24 5/8 in) panel107.5 x 75 x 9.5 cm (42 3/8 x 29 1/2 x 3 3/4 in) frameThe Crystal Escalator in the Palace of God Department Store, 2020Oil and acrylic on panel, in artist's frame197.5 x 122 cm (77 3/4 x 48 1/8 in) panel213 x 138 x 9 cm (83 7/8 x 54 3/8 x 3 1/2 in) frameIndia ink, acrylic and oil on panel, in frame43.8 x 53.8 cm (17 1/4 x 21 1/8 in) panel
57 x 67 x 6.75 cm (22 1/2 x 26 3/8 x 2 5/8 in) frameDeliver Me (after Jan Lievens), 202092 x 73.5 x 2.2 cm (36 1/4 x 29 x 7/8 in)A new, better, faster breed, 2019Triptych; oil and acrylic on panel, in frames100.2 x 75.4 cm (39 1/2 x 29 3/4 in) panel each122.3 x 96.8 x 3.5 cm (48 1/8 x 38 1/8 x 1 3/8 in) frame each136 x 105 x 2.2 cm (53 1/2 x 41 3/8 x 7/8 in) panel size
141.5 x 110 x 5 cm frame sizeMyths of the Near Future (Painting for Georgiana Houghton), 2019197.5 x 122 cm (77 3/4 x 48 1/8 in)193 x 122 x 0.9 cm (76 x 48 1/8 x 3/8 in) panel size192.9 x 122 x 1 cm (78 3/8 x 48 1/8 in)And Thus We Existed, 2019-2020197.6 x 122 cm (78 x 48 1/8 in)The Altogether, 2019-2020126 x 90 cm (49 5/8 x 35 3/8 in) (rounded corners)167.8 x 118 x 0.3 cm (66 1/8 x 46 1/2 x 1/8 in) panel 198 x 150 x 5.5 cm (78 x 59 1/8 x 2 1/8 in) frameacrylic paint on panel, frame84.9 x 69 cm (33 3/8 x 27 1/8 in) panel size125 × 106 × 9.8 cm (49 1/4 × 41 3/4 × 3 7/8 in) frame sizeacrylic paint on panel, frame61.6 x 46.4 cm (24 1/4 x 18 1/4 in) panel size
79.3 × 64 × 5 cm (31 1/4 × 25 1/8 × 2 in) frame size190 x 151 x 3 cm (74 3/4 x 59 1/2 x 1 1/8 in)125 x 110 x 2.2 cm (49 1/4 x 43 1/4 x 7/8 in)acrylic paint on panel, frame56.4 x 41 cm (22 1/4 x 16 1/8 in) panel size94 × 82 × 14 cm (37 × 32 1/4 × 5 1/2 inches) framed sizeStimulate the Beaded Hamster, 2017acrylic paint on panel, frame71.2 x 59.5 cm (28 1/8 x 23 3/8 in) panel size82 × 69.5 × 3.5 cm (32 1/4 × 27 3/8 × 1 3/8 in) framed size132 x 95 x 2.2 cm (52 x 37 3/8 x 7/8 in)On the Way to the Leisure Centre, 2017 Oil on panel 122 x 244 x 2.2 cm (48 1/8 x 96 1/8 x 7/8 in) Pain Killer, 2017 India ink and acrylic on panel 85.4 x 60 cm (33 5/8 x 23 5/8 in) panel 89.8 x 64.4 x 4.5 cm (35 3/8 x 25 3/8 x 1 3/4 in) frame ART AN SPACE 2021
|
