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當(dāng)站在原始的金斯伯里面前時(shí)，沒有失望的余地。他是繪畫界的完美主義者，他已經(jīng)掌握了使完美看起來像兒戲的藝術(shù)。生活在他的畫筆中噼啪作響，給他的每一件作品注入了能量，以致站在這些現(xiàn)代巴洛克風(fēng)格的奢華典范的房間中，是一種積極肯定生活的體驗(yàn)。在我看來，艾倫無疑是他那一代人中最具代表性的畫家之一。在這個(gè)時(shí)代，倫敦商業(yè)藝術(shù)界每年都被佛羅倫薩最新畢業(yè)生麻木的同質(zhì)性所窒息，艾倫的畫作和才華彰顯出了完整性和內(nèi)涵。