··································································································································· ···········································································································
··································································································································· ··············································································································
··································································································································· ·············································································································
··································································································································· ················································································································
··································································································································· ···········································································································
愛德華·馬奈（édouard Manet，1832.01.23-1883.04.30）是19世紀(jì)印象主義的奠基人之一，1832年出生于法國(guó)巴黎，父親是內(nèi)務(wù)部首席司法官。他從未參加過印象派的展覽，但他深具革新精神的藝術(shù)創(chuàng)作態(tài)度，卻深深影響了莫奈、塞尚、梵高等新興畫家，進(jìn)而將繪畫帶入現(xiàn)代主義的道路上。受到日本浮世繪及西班牙畫風(fēng)的影響，馬奈大膽采用鮮明色彩，舍棄傳統(tǒng)繪畫的中間色調(diào)，將繪畫從追求三元次立體空間的傳統(tǒng)束縛中解放出來，朝二元次的平面創(chuàng)作邁出革命性的一大步。
··································································································································· ·············································································································
·········································································································································· ················································································································
··································································································································· ·········································································································
··································································································································· ······································································································
·········································································································································· ··················································································································
草地上的午餐 1863
··················································································································································· ························································································································
··················································
···········································
·········································································································································· ················································································································
福利·貝熱爾的吧臺(tái) 1882
··································································································································· ·········································································································
··································································································································· ·······································································································
